In my work I am always looking for a challenge — the essence of which is experimentation in media and subjects.

The Customs House watercolour was part of a fundraising exhibition of postcard size works by well-known artists.

The Queensland Sugar Refinery is a favourite subject, which I walk past almost daily. Like many industrial buildings, which are now being overtaken by inner city residential developments, this structure is now being dismantled.

The AQIS perspective has a sixties feel, probably due to the influence of Gordon Cullen’s series of drawings of Boit which I had been studying intensely.

Railway posters have been a popular tradition and this one was completed after a series of perspectives of the carriage interiors.

Abstracted images that result from experimental mixed media provide a contrast with the usually technical nature of most architectural illustration.

In the Ansett Terminal section, I attempted to combine the looser mixed media techniques with the structured detail required in such a view.